How I Start My Paintings (And How You Can Too)

Staring at a blank canvas can feel like a challenge from the universe. “Okay, sunshine—what are you going to do now?” It’s intimidating, and I’ve been there more times than I can count.

But here’s what I’ve learned: the best way to beat that fear is to be prepared.

Step 1: Fill Your Sketchbook First

Before I ever touch a canvas, I collect rough ideas in a sketchbook. That way, when I’m ready to paint, I’m not starting from nothing. I’ve got a menu of ideas to choose from—and that instantly cuts the fear in half.

Step 2: Use Charcoal to Block In the Composition

I choose a sketch, grab a prepped canvas, and pick up a stick of charcoal. Why charcoal? It’s forgiving. If a mark doesn’t work, I can smudge it out with my hand and keep going.

This stage is quick and intuitive—inspired by how Matisse used to work. Think of it like a visual brainstorm. Don’t overthink it. Just get the marks down. Rub them out, redraw, repeat. Move fast. Let instinct lead.

Step 3: Lock It In with Color

Once I’ve got the composition down, I brush off the dust but leave the charcoal lines intact. Then I mix French ultramarine, cadmium yellow, and alizarin crimson with impasto medium and paint over the lines to define the sketch.

Why impasto? Because I want those brush marks to show through the later layers—adding texture and energy.

Step 4: Let It Rest—or Dive Right In

Sometimes I stop there and let it dry overnight. Other times, I go straight into laying down the first layer of color. It depends on the piece—and the mood I’m in.

Whether you’re just starting out or returning to painting after a break, I hope this gives you a window into my process and the confidence to try your own. The most important thing? Start.